I, "The Student of the Game" Russ Stevens, will be giving my opinions about pro wrestling as someone who the Downstate Illinois scene did away with when I was tired of playing "wrestler" and was locked out for calling out the socially unacceptable behavior. While pursuing the dream, I missed Ruthless Aggression. Thus, my indie tape/DVD library and indie attendance became the basis of what I like in. This blogger hopes to educate/correct you about what you should expect from wrestling today.
With NinetyforChill.com evolving into more than the rough draft blog for my primary blog, MainEventoftheDead.com needs a new place to test out the formatting of recent blogs. "Main Event of the Dead" is my screenplay about pro-wrestling and zombies. I have a movie website, so may as well have a wrestling site.
Monday, July 25, 2022
NinetyForChill: The #Podcast - "The Producers" (1967) & the Accompanying Explicit Nonsense
NinetyForChill.com: The #Podcast
Episode 78: "The Producers" (1967) & The Accompanying Explicit Nonsense (Michael Dubois ought to be in psychology [on the listening side].).
Michael Dubois and Cool Movies Darth pick up where they left off with their discussion inspired by Mel Brooks's debut feature, "The Producers". The conversation starts with exploring Zero Mostel's portrayal of Max Bialystock and his pension for seducing pensioners to fund his films. This leads into CM Darth's salacious adulthood, satirical takes towards parents, and "Star Wars" fandom. It only seems appropriate to attach a review for "Jay and Silent Bob Reboot" to this podcast.
Allow me to get out of third-person. Happy Prof. Shurtleff of Illinois Central College? I (CM Darth) will try not to make so much light of violent death in this summation. This is my declaration of changing perspective.
It seems that I was unaware of a default setting when I set up my latest account. When I started tagging people in my tweets, the immediate options included my aunt and uncle. One must go into their privacy settings to disassociate your contacts from being suggested as users to follow. This mean, use your email address instead of a phone number to start an account.
I bring this up because, despite I do not think I should feel shame in anything that I say on the podcast, there are people who may get offended who will panic, and tell people who will make my life tougher if they got this second hand. Not lose my job bad like the petty asshole Marissa Embry (Who I believe works at First Bank Tuscola), but familiar headaches and judgements. This episode divulges at least three stories that might trigger those feelings, especially since I just laugh them off.
After replaying the rest of the recording, it leaves me to wonder what I will have to talk about when I see my therapist later today. I like talking about myself, but I hate reruns (As I rewatch "Game of Thrones Season 4" in my peripheral.).
The important lesson is that Michael Dubois is wiser than I was at 30 years-old. Be sure to send him those birthday wishes. I envy him for having people remember his annual holiday.
As for true cinema chatter, I did get around to finally watching "Jay and Silent Bob Reboot". The only problem I could see the casual movie goer having with this feature is that Kevin Smith made this film for his fans. "Tusk", "Red State", "Zack and Miri Make a Porno", and even "Yoga Hosers" seemed like attempts to make movies for everyone. To truly appreciate this film, you have to hold him in high regard. So I fucking loved it.
This episode ended up being a nice step away from politics. Be aware, my next guest wants to talk about "They Live". Gregory Carl Gathmann may focus on Roddy Piper and wrestling chatter, but you cannot avoid the Reagan bashing that comes with John Carpenter's greatest satire.
If you want to end the politicization of my movie podcast, follow the instructions below.
Follow me on Twitter @catbusruss. If you want to be on the show, contact me on Twitter or send an email to russthebus07@gmail.com. All we need is a theme, movie, director, or actor and a focus on sub 100-minute material. As long as the credits start before the 1:39:59 mark on the runtime bar, the movie qualifies.
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